https://www.haydentornabene.com/research-prose daily 0.75 2025-12-29 https://www.haydentornabene.com/research-prose/bosco-verticale monthly 0.5 2025-12-29 https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/8ceb3866-9554-4bb1-8e69-6973c4b9918d/71dJVz8OjTL._AC_UF894%2C1000_QL80_.jpg RESEARCH & PROSE - BOSCO VERTICALE As Milan grapples with corruption investigations, and as global architecture confronts its complicity in the climate crisis, Bosco Verticale's legacy serves as cautionary tale. Revealing the limits of neoliberal green architecture, Bosco highlights architecture’s incapacity to challenge growth paradigms from within. As architects & real estate developers transform ecology into commodity, the continued preference of technological spectacle over genuine material restraint suggests misaligned incentives. Course correction, as Malterre-Barthes insists, is urgently needed. A correction that rejects greenwashing façades and focuses on redesigning to reduce material consumption, reject neocolonial resource exploitation, and challenge excessive real estate production.[42] Only through such fundamental questioning of existing economic models can architecture move beyond spectacles like Bosco Verticale toward genuinely sustainable futures. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/d7d5a6b7-2507-4536-8dd6-a111a3b689a9/col12_bosco-verticale-a0941311763418c605b94e7d708c3752.jpg RESEARCH & PROSE - BOSCO VERTICALE - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/4bebffce-a003-48ef-8dd6-bc480fed6eb3/Real-Life_Examples_of_Eco_Brutalism.png RESEARCH & PROSE - BOSCO VERTICALE - Make it stand out (Left to Right): Bosco Verticale (Milan) → WOHA’s Oasia Hotel (Singapore) → Tao Zhu Yin Yuan (Taipei) https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/0b0465b6-3278-4478-acac-63a9fafcf8b4/Screenshot+2025-12-29+at+14.45.45.jpg RESEARCH & PROSE - BOSCO VERTICALE The project operates according to LEED certification logic: sustainability as checklist of discrete elements, trees (biodiversity), solar panels (renewable energy), greywater recycling (water conservation), layered onto conventional luxury residential typology. As Ferrando observes, "if the 'forest' were removed from the proverbial 'vertical forest', what would remain is a banal residential complex with standard architectural features."[28] This is not merely aesthetic critique. It reveals how thoroughly the project separates green components from fundamental spatial organization and material reality. Malterre-Barthes identifies this pattern: "Architectural greenwashing will boast the use of sustainable technologies and green certifications but will not consider the entire lifecycle of the structure, including construction material sourcing, energy consumption, and eventual demolition."[29] https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/26cf30e9-62f9-4168-ab92-dcd226ee33bc/Screenshot+2025-12-29+at+14.54.10.png RESEARCH & PROSE - BOSCO VERTICALE The forest exists as exterior ornamentation, not as principle organizing spatial experience or daily life. Official descriptions inadvertently confirm this when noting the central distribution core moved to the perimeter, a reduction in the amount of living space exposed on the facade, to ensure "natural light and high-quality communal and shared spaces."[34] https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/914d756b-07b1-46cd-af37-11ad731b6cd3/weer2-scaled.jpg RESEARCH & PROSE - BOSCO VERTICALE - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/e0f9bce7-c578-46fa-8f43-30f67f13c144/detail_%281%29.jpg RESEARCH & PROSE - BOSCO VERTICALE Official narratives transform Bosco Verticale from architecture into technical apparatus. The project is consistently described through measurable outputs: CO2 absorption, oxygen production, temperature reduction, as if it were "not architecture but a gigantic technical appliance."[8] https://www.haydentornabene.com/research-prose/ukrainian-vernacular monthly 0.5 2025-12-27 https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/23ec44a3-b5f6-41fb-a987-75527015f29f/Screenshot+2025-07-20+at+16.04.27.png RESEARCH & PROSE - VERNACULAR TO NATIONAL - Fig. 12: Boyko ground and roof plans. CHURCHES OF THE BOYKOS The Boykos, inhabiting the central Carpathian region, created perhaps the most conservative of the three architectural traditions. Their churches adhered strictly to the tripartite plan with "the pronaos or narthex (also called babinets or 'women's church'), the naos and (beyond the iconostasis) the sanctuary." The defining characteristic of Boyko churches was the dominance of the middle dome over the sanctuary and narthex, with "the central space or naos [being] a broader element in the plan than either the narthex or the sanctuary." https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/c8c80c43-e771-4b6a-a187-d2614634ae96/Screenshot+2025-07-20+at+16.21.22.png RESEARCH & PROSE - VERNACULAR TO NATIONAL - Fig. 19: Petryliv (Petrytów), Tlumach, Church - 1786 - Петрилів, Тлумач, церква Lev Maciel notes that Ukrainian cultural activity dramatically decreased under the rule Catherine II the Great (1762–1796). Catherine's abolishment of the Cossack Hetmanate further eroded Ukrainian autonomy as buildings progressively lost their identity and began to blend with Russian architecture by the end of 18th century. After this period, "though some fine churches were still erected, they showed no originality of design, while the general tendency was one of reliance and decay." This correlation between architectural creativity and political autonomy suggests that these wooden churches represented more than mere buildings—they were expressions of cultural identity during a period of contested sovereignty. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/7ccb6bdc-b213-4676-88ae-625b478e96dc/Screenshot+2025-07-20+at+16.28.12.png RESEARCH & PROSE - VERNACULAR TO NATIONAL - Fig. 21: Chotyniec, Rzeszów province, Poland. Church originally built 1613. Fig. 22: Drogobych, south-west of Lviv. Seventeenth-century church of St George from the north. Magocsi concludes that "in many ways, the history of Ukrainians in Galicia between 1387 and 1772 is the history of their Orthodox and Uniate churches.”88 This religious cultural foundation fostered during the Era of Polish rule supported significant artistic creativity, particularly in architecture and painting. Consequently these artistic achievements "provide a fuller understanding of the life-style of the secular and religious cultural elite in Galicia."89 The wooden churches of the Carpathians represent the vernacular expression of this broader cultural flourishing—a testament to the deep linkages between religious identity and artistic creativity in these remote mountain communities. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/a5836d3e-3125-489c-b6cc-c25894a383aa/Screenshot+2025-07-20+at+16.09.56.png RESEARCH & PROSE - VERNACULAR TO NATIONAL - Fig. 14: Turyans'k (Turiansk), Church - 1615 Турянськ, церква CHURCHES OF THE LEMKOS The Lemkos, occupying the western Carpathian regions extending into what is now southeastern Poland and eastern Slovakia, developed the most innovative and evolutive of the three architectural traditions. As Buxton observes, "It is a fact not fully explained that the Lemks (or Lemkians or Lemki), in contrast to their neighbors and kinsmen the Boyks, were quite open to new ideas and influences." This openness resulted in a distinctive church design characterized by a tall western tower that "dominates the whole composition.” https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753042418849-9IJLDY3A1CL8QFWH035Y/Screenshot+2025-07-20+at+16.13.14.png RESEARCH & PROSE - VERNACULAR TO NATIONAL https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753042420164-V30JA6JJA54YO7HSJHNQ/Screenshot+2025-07-20+at+16.13.17.png RESEARCH & PROSE - VERNACULAR TO NATIONAL https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753042421917-D4O7AAKF81YZWJKYK11F/Screenshot+2025-07-20+at+16.13.21.png RESEARCH & PROSE - VERNACULAR TO NATIONAL https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1752787578477-CFG6EENFHP1HCSEORR9T/Screenshot+2025-07-17+at+17.25.40.png RESEARCH & PROSE - VERNACULAR TO NATIONAL https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1752787579276-8C7KWM72DEJ6I6EKJIFH/Screenshot+2025-07-17+at+17.25.52.png RESEARCH & PROSE - VERNACULAR TO NATIONAL https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1752787583391-7CI1IIK3Y5VYR6FFCGDV/Screenshot+2025-07-17+at+17.25.19.png RESEARCH & PROSE - VERNACULAR TO NATIONAL https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1752787587064-V6AG1IMWM9GK7W0J2FA6/Screenshot+2025-07-17+at+17.25.13.png RESEARCH & PROSE - VERNACULAR TO NATIONAL https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1752787638097-X0684LXDAESJEXDYEX54/Screenshot+2025-07-17+at+17.27.04.png RESEARCH & PROSE - VERNACULAR TO NATIONAL https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1752787640334-QOS1P04QX3BHF8LJ5Y5S/Screenshot+2025-07-17+at+17.27.07.png RESEARCH & PROSE - VERNACULAR TO NATIONAL https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1752787587286-7J48FKA9C5147U1OE2P0/Screenshot+2025-07-17+at+17.25.08.png RESEARCH & PROSE - VERNACULAR TO NATIONAL https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1752787590271-H8SX0YEWRSSG7LPT7Q29/Screenshot+2025-07-17+at+17.24.59.png RESEARCH & PROSE - VERNACULAR TO NATIONAL https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1b1e1f50-7f2f-4227-8d5a-1c09a72b6aa2/Screenshot+2025-07-20+at+16.31.11.png RESEARCH & PROSE - VERNACULAR TO NATIONAL - Fig. 23: Berezhany (Brzezany), Church - 1712 - Бережани, церква The architectural heritage of Ukraine reveals a profound story of cultural formation at the nexus of Eastern and Western influences. From the monumental St. Sophia Cathedral in Kyiv, to the humble wooden churches nestled in the Carpathian highlands, Ukrainian architecture embodies a distinctive synthesis that defies simplistic categorization. Instead, these structures articulate a uniquely Ukrainian cultural voice that emerged through centuries of creative adaptation and resilience. St. Sophia Cathedral stands as a testament to this cultural continuity as its original 11th-century construction represented an early creative adaptation of Byzantine models, incorporating local building traditions and materials—including stone from Volhynia. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/6fd914ca-2fc0-40bb-9de4-c2398d11eb6e/Screenshot+2025-07-20+at+15.57.25.png RESEARCH & PROSE - VERNACULAR TO NATIONAL - Fig. 10: Derevach (Derewacz), Monastery - 1680 - Деревач, монастир The story of wooden church architecture in the Carpathian Mountains begins with the spread of Orthodox Christianity into this mountainous borderland. Following the Christianization of Kyivan Rus' in the late 10th century, the Orthodox faith gradually penetrated the Carpathian highlands, bringing with it liturgical requirements that would shape architectural forms for centuries on. Unlike the monumental stone cathedrals of urban centers like Kyiv, these remote mountain communities developed a distinctly vernacular approach to sacred architecture, one that responded to local materials, climate conditions, and the unique cultural identity of the mountain-dwelling peoples. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/c78de7d6-8ebd-4e70-97d4-c4babd700526/Screenshot+2025-07-20+at+16.24.36.png RESEARCH & PROSE - VERNACULAR TO NATIONAL - Fig. 20: Church of the Archangel Michael, western aspect. The wooden churches of the Carpathians, with their distinctive silhouettes rising against mountainous landscapes, represent a profound synthesis of spiritual needs, material constraints, and cultural identity. As Hvozda observes, these structures achieved "an organic relationship between external appearance and internal construction, a subordination of individual parts to the general ensemble," and "a building technique that defines the structure itself." Their forms developed not through academic theory but through generations of practical wisdom and master craftsmen that responded intimately to their natural environment and cultural aspirations. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/e3c135bc-3331-4188-a7cc-f9fc7939113b/Screenshot+2025-07-17+at+17.17.35.png RESEARCH & PROSE - VERNACULAR TO NATIONAL - Fig. 1: St. Sophia Cathedral Axonometric Original Construction The original St. Sophia was a carefully orchestrated sequence of light and shadow, a symphony of stone that guided the faithful from earthly concerns toward heavenly contemplation. The cathedral's five-naved plan, with its central nave twice the width of the flanking ones, created a hierarchical progression toward the sanctuary. From this basic Byzantine template emerged a structure of remarkable complexity and originality, with semicircular apses to the east and galleries wrapping around the remaining three sides. The central nave stretched 7.5 meters wide, drawing the eye upward to where arches and pendentives supported the main dome. Around this core, a series of smaller domed spaces creates what Powstenko calls "a characteristic growth of architectural volumes from the periphery toward the center." This progression of spaces culminated in the explosion of light from the thirteen cupolas overhead—a cosmological statement representing Christ surrounded by the twelve apostles. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/fe3030a4-2652-4ab4-ab05-116413db9cc8/Screenshot+2025-07-20+at+16.33.22.png RESEARCH & PROSE - VERNACULAR TO NATIONAL - Fig. 24: Cherhanivka (Czerhanówka), Kolomyya, Church - 1864 — Черганівка, Коломия, церква The religious context of Galicia further enhanced its role in Ukrainian cultural formation. As Magocsi notes, "by the late sixteenth century, Galicia, and especially L'viv, became the most important center of religious and intellectual life for all Orthodox Rus' lands within Poland." This religious foundation fostered significant artistic creativity, particularly in architecture, that would eventually influence developments throughout Ukrainian lands. The temporal alignment between the flowering of vernacular wooden architecture and Ukraine's period of relative autonomy in the 17th and early 18th centuries is not coincidental. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/f9b428d8-2592-4fb3-b9e5-3f6df86d2d7a/Screenshot+2025-07-20+at+16.00.13.png RESEARCH & PROSE - VERNACULAR TO NATIONAL - Fig. 11: Systems of corner-jointing What united these diverse communities was their masterful approach to wooden construction. Unlike Western European timber architecture, which relied primarily on post-and-beam construction, Carpathian builders employed the "blockwork" or "log-cabin" (zrub) technique. Hvozda explains that this method "consisted of placing timbers horizontally in successive layers and jointing them at the corners to form load-bearing walls." https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/d02b9bdd-2c28-4887-9313-e44270ac91ce/Screenshot+2025-07-20+at+16.07.37.png RESEARCH & PROSE - VERNACULAR TO NATIONAL - Make it stand out Fig. 13: Yezupol, near Ivano-Frankovsk. Hutsul church with five domes, eighteenth century. (Left) Knyazhdvor, near Kolomya. Five-domed Hutsul church of 1778. (Right) https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/f0aa4d0f-c4d0-4a38-b039-902f3d9713cb/Screenshot+2025-07-20+at+16.17.23.png RESEARCH & PROSE - VERNACULAR TO NATIONAL - Fig. 18: Chertezh (Czertez), Syanik, Church — 1726 - Чертеж, Сянік, церква Buxton offers a detailed analysis of how Baroque elements were integrated into Lemko wooden architecture, noting that "wherever bulbous shapes appear in these more western regions, where Russian influence is unlikely, one sense[s] the onset of the Baroque." He describes these elements in detail: "Domes of this form, commonly on stalks rather than drums, and sometimes accompanied by odd little disks or aprons above or below, often occur in this area as a capping to pyramidal roofs and towers. https://www.haydentornabene.com/research-prose/pure-land monthly 0.5 2025-12-27 https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/87de6178-faa6-4baa-afc6-3cf6383794bb/Screenshot+2025-07-21+at+13.59.19.png RESEARCH & PROSE - PURE LAND IN A NEW LAND The structure and content of services held at the NYBC integrate traditional practices with a certain Christian flair. The NYBC offers Sunday morning services, live-streamed on Youtube for their global congregation. The interior of the chapel is brightly colored, with red carpet and ornate gold filigree around the altar. The ringing of the Kansho bell initiates the service, followed by a period of quiet and seated meditation. Sutra chants in Pali and Japanese are conducted, with English translations provided. Hymns are sung in both English and Japanese, another Christian theological carryover, as traditional Buddhist practice prioritizes chanting. Following the Dharma Talk and reciting of the Nembutsu, the congregation gathers in the Beaux-Arts wing for questions and the sharing of insight and company over refreshments. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/cd397a49-2533-401c-b3df-d579204e6b57/Screenshot+2025-07-21+at+13.59.15.png RESEARCH & PROSE - PURE LAND IN A NEW LAND - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/3ce58766-88ee-4ecf-bcd4-df87a72a415a/Screenshot+2025-07-21+at+13.59.30.png RESEARCH & PROSE - PURE LAND IN A NEW LAND - Jōdo Shinshū Altar - Statue of Amida Tathagata (Buddha) 1. Dukkha, or that suffering is inherent to our transient existence. 2. Samudaya, or suffering catalyzes attachment to our unsatisfactory existence. 3. Nirodha, or the cessation of suffering is possible by letting go of this attachment. 4. Marga, or the road to confining attachment, and the release of Dukkha, is the Noble Eightfold Path. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/e32957b8-329e-4ae2-b864-36bce3235269/Screenshot+2025-07-21+at+13.58.58.png RESEARCH & PROSE - PURE LAND IN A NEW LAND While the practices associated with Jōdo Shinshū departed from the traditional, dogmatic Theravāda Buddhist practices in the 12th and 13th century, its arrival to the United States would further influence the way the sect practiced its rituals. Following the internment of Japanese Americans during WWII, Shin temples grappled with rebuilding Japanese American communities alongside a tentative outreach to non-Japanese. The New York Buddhist Church (NYBC), founded on the Upper West Side of Manhattan in 1938, serves as an emblematic synthesis of Jōdo Shinshū's Kyoto roots and American Christian theology. This synthesis is central to the Japanese American identity, particularly in the shadow of the racism, segregation, and internment many Issei and Nisei faced in the United States. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/eaf67210-98aa-4e65-8087-b0f7226ecbeb/Screenshot+2025-07-21+at+13.59.24.png RESEARCH & PROSE - PURE LAND IN A NEW LAND Following Rev. Seki’s release in 1946, the church began to grow. The NYBC began its relocation effort as the “West Side Urban Renewal” initiative claimed row-houses between Central Park West and Amsterdam Avenue from West 87th to West 97th Street. The congregation decided to purchase the four-story Beaux-Arts mansion located at 331 Riverside Dr. (Fitzpatrick). Built by the firm Janes & Leo in 1902, the rowhouse was previously owned by media mogul William Randolph Hearst, where his mistress silent film star Marion Davies lived. In 1955, the Church established a school at 331, where courses on Japanese language, literature, art, and music were offered to the public. Eventually the NYBC purchased the adjoining lot, 332 Riverside Drive, then home to a garage and garden. In 1955, the firm of Kelly & Gruzen began construction on the two-story glass and metal chapel that stands to this day (Rye). In front of this modest chapel, contrasted by the neighboring Beaux-Arts complex, stands a 15-foot tall, scorched and slightly radioactive statue of Shinran Shonin. The statue originally stood in Hiroshima, one mile from where an American nuclear device was detonated. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/bafad635-d77a-4c90-a0d2-27348b82987e/Screenshot+2025-07-21+at+13.59.09.png RESEARCH & PROSE - PURE LAND IN A NEW LAND The current church is separated into two buildings: the four-story Beaux-Arts complex at 331, and the modest glass and steel chapel at 332. The two properties are connected by a passageway that allows free movement between the two. The building at 331 is now home to administrative offices, a few residencies for distinguished guests of the church, and classrooms. The chapel at 332 is two stories: the upper floor serves as the main worship space, and the ground story exists as predominately storage. While the Beaux-Arts complex boasts a Western facade and luxurious interior finishes done by William Hearst, the chapel next door more subtly weaves Eastern and Western architectural qualities. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/197e26a6-1231-472b-b85e-a4c24ef4cc18/Screenshot+2025-07-21+at+13.58.52.png RESEARCH & PROSE - PURE LAND IN A NEW LAND The statue was one six similar across Japan; three of these six statues were melted down to manufacture ammunition for the war effort. The statues were built by devout Shin Buddhist Seiichi Hirose, an industrialist that wanted to donate the statue to the NYBC after the war as a gesture of peace. Hirose and Rev. Seki believed the statue’s proximity to Columbia University and the Manhattan Project would caution against a “future Hiroshima.” The dedication ceremony for the statue was held in 1955, where Buddhist philosopher and prolific writer D.T. Suzuki remarked: https://www.haydentornabene.com/research-prose/road-as-aboad monthly 0.5 2025-12-27 https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/e112a23f-9316-4dc0-96de-95344d0e6ba2/Screenshot+2025-07-21+at+00.47.02.png RESEARCH & PROSE - ROAD AS ABODE - Dieppe, Jacques Henri Lartigue (1962) As a phenomenon of the poetic imagination, immensity begins within the human mind. Interior immensity tracks a qualitatively similar immensity of the physical world, as it seeks articulation. The poetic imagination creates a dynamic relationship between interior and exterior immensity, employing the forms of nature to articulate itself: “immensity becomes conscious of itself, through man” (196). As interior immensity finds articulation through the forms of nature, being invigorates being. An overwhelming sense of familiarity and intimacy expands within the dreaming individual. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/2abf4869-04f2-41d7-9fee-ceee396c1a43/Screenshot+2025-07-21+at+00.47.16.png RESEARCH & PROSE - ROAD AS ABODE - Florette, Vence, Jacques Henri Lartigue (May 1954) In the way that Lartigue became the world he inhabited, Bachelard instructs of the dreaming individual, “we should have to learn how to meditate very slowly, to experience the inner poetry of the [form], the inner immensity of a [form]. All important [forms], all the [forms] marked for grandeur by a poet, are keys to the universe, to the dual universe of the Cosmos and the depths of the human spirit” (Bachelard, 198). Immensity dwells in the cooperative universe of man and cosmos, elicited by their union, facilitated by the poetic imagination at quiet ease. When man’s being is elevated by this collision and union, he is further dynamized toward increased being, toward creation. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1ec1acc5-dfdc-49b9-ac18-73f614df3650/Screenshot+2025-07-21+at+00.35.36.png RESEARCH & PROSE - ROAD AS ABODE - World’s Highest Standard of Living, Margret Bourke-White (1937) Street photography, in its elucidation of the perpetual beginning of humankind, is uniquely positioned to generate poetic value as it makes use of the same methodology that activates and orders the poetic imagination: dreaming. The act of dreaming, much like the street photograph, coalesces the history of the individual toward the vast and fantastic possibilities of the future. While street photography generates poetic images capable dreaming, and thus inducing a dreamlike state in the viewer, the process alone of pursuing and capturing moments (with or without a camera) activates the poetic imagination through dreams. Daydreaming, a sort of waking poetic revery, is the poetic imagination projecting itself back onto the world, in real and/or fantastical ways. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/a959202f-a90e-417f-8c0c-b8dcb8dfe97a/Screenshot+2025-07-21+at+00.47.07.png RESEARCH & PROSE - ROAD AS ABODE - Brittany, Jacques Henri Lartigue (1965) The poetic imagination provides humankind with a magnifying glass, one that amplifies and elucidates our being. It articulates our internal immensity through the forms of the universe, as “the exterior spectacle helps intimate grandeur unfold” (192). When the individual mind takes pleasure in admiration of the universe, when it dissolves the ego in order to wholly facilitate the image of contemplation in a moment of meditative appreciation, the image expands past its confines toward the realm of dreams and infinity. This is the true cosmic potential of human beings: the simultaneous magnification of self and nature through poetry. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/efec217c-015a-418a-ab18-bfc3bf9e3054/Screenshot+2025-07-21+at+00.21.58.png RESEARCH & PROSE - ROAD AS ABODE - Alfred Eisenstaedt, V-J Day in Times Square (1945) Alfred Eisenstaedt’s V-J Day in Times Square at once conveys an instinctive understanding of the exuberance of passion, longing eclipsed by presence, spontaneity triumphing over fear, all against the loaded connotative history of WWII and of Times Square. As Bachelard asserts, we do not experience these elements, and countless others, as representations. Instead we seize upon them, make them our own, understand them so primitively as if we had always known them, each element uniting toward a climax of poetic revery. The photographic poetic image lays bare for the mind the image itself, and thus its qualitative phenomena in one sweeping instantaneity. In broad terms, it is this synergism of photography, the bridging of physical and qualitative elements in such a way that uniquely reveals the human psyche, that I will explore in this paper. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/b2b6eea6-ef16-4dca-a085-485fa12098f8/Screenshot+2025-07-21+at+00.47.22.png RESEARCH & PROSE - ROAD AS ABODE Lartigue’s masterfully evocative images reveal to us ourselves, by means of his individual song of immensity. What makes Lartigue so successful toward this end is his total dissolution of ego, as inner and exterior immensity merge in the linguistic symbolism of his images. He becomes the world. Lartigue writes “I’m in love with light. I’m in love with the sun, I’m in love with shade, I’m in love with rain (because rain, for photography, is something wonderful). I’m in love with everything” (Ravache, 52). Lartigue’s images of his life partner Florette are particularly palpable with a caressing radiance, as if he indeed were the light dappling her skin. We feel the warmth of our poetic imagination inaugurating Lartigue’s love of nature and Florette, as our own sense of inner immensity expands in the light of his inaugurating spirit. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/bb34b7e8-3051-4407-a3b4-640e3a2e2e39/Screenshot+2025-07-21+at+00.35.43.png RESEARCH & PROSE - ROAD AS ABODE - Migrant Mother, Dorothea Lange (1936) Comprehensive dreaming can only occur when the mind is sufficiently relaxed, sufficiently protected (usually when the body is asleep), in its most vulnerable and intimate state. In chapters one and two of the Poetics of Space, Bachelard meticulously illustrates the sheltering capacity of the house in facilitating dreams. Bachelard writes, “…my aim is clear: I must show that the house is one of the greatest powers of integration for the thoughts, memories, and dreams of mankind. The binding principle in this integration is the daydream.” (6). In outlining the impact of the house in shaping and enabling the poetic imagination, Bachelard presents the reader with a specific poetic object that points to a non-dualism, a oneness of mind and inhabited space. This unification of mind and physical space through ‘at homedness’ will prove to be the cornerstone of a street photography methodology known as Road as Abode. https://www.haydentornabene.com/research-prose/golden-gate-roasting monthly 0.5 2025-12-27 https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753123156030-3M4L4DWSDGUQ2T6G4LCR/Screenshot+2025-07-21+at+14.30.37.png RESEARCH & PROSE - GOLDEN GATE ROASTING CLUB https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753123169629-9QZ2Y0Z5TMKXTFVBGXNU/Screenshot+2025-07-21+at+14.30.54.png RESEARCH & PROSE - GOLDEN GATE ROASTING CLUB https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753123162926-FSMRMJ90TWOX6HMKD4EU/Screenshot+2025-07-21+at+14.30.42.png RESEARCH & PROSE - GOLDEN GATE ROASTING CLUB https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753123050527-Y0C2E0VUDUQGERGH17JG/Screenshot+2025-07-21+at+14.30.20.png RESEARCH & PROSE - GOLDEN GATE ROASTING CLUB https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753123056184-NNW5U9AHCL9FPY2WIUY8/Screenshot+2025-07-21+at+14.30.25.png RESEARCH & PROSE - GOLDEN GATE ROASTING CLUB https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753123064417-8NK6O046C6SQTF48I322/Screenshot+2025-07-21+at+14.30.30.png RESEARCH & PROSE - GOLDEN GATE ROASTING CLUB https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/645a6720-7d6f-457b-b7fe-4a783ca887c0/Screenshot+2025-07-21+at+14.30.11.png RESEARCH & PROSE - GOLDEN GATE ROASTING CLUB - Fig. 1 - The temperature of beans and air (˚C) over time (t) in a closed roasting system. Figure courtesy of Coffee Mind. All coffee roasting makes use of a graph called the Roast Profile, which tracks the temperature over time. The roast profile below shows two temperatures: 1. The air inside the oven, and 2. The beans themselves (or in our case the steel at the bottom of the popper). Different types of beans require subtle temperature differences, but all beans follow the same trajectory shown in Fig. 1. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/b58c12f3-5034-47d0-bbad-9a7da486b200/Screenshot+2025-07-21+at+14.31.01.png RESEARCH & PROSE - GOLDEN GATE ROASTING CLUB - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/3b7e7dd1-0602-44b0-9c9a-5b3cc70a52a8/Screenshot+2025-07-21+at+14.30.04.png RESEARCH & PROSE - GOLDEN GATE ROASTING CLUB In a world of ‘third wave coffee,’ where every stage of coffee production has been elevated, refined, and sharpened to deliver that transcendent cup, the emphasis has been moved from mass produced beans to carefully selected connoisseurship. "Small batch coffee" evokes a sense of quality, as it implies a care and intimacy in the selecting, roasting, and brewing processes. The culinarization and miniaturization of coffee processes work to highlight the subtle flavors that emerge from different regions, washing and roasting processes, varietals, and brew techniques. https://www.haydentornabene.com/research-prose/feudal-feudal monthly 0.5 2025-12-27 https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/02222ca0-e3fc-48d6-aebe-d6dc5ec60c0a/Screenshot+2025-07-21+at+15.11.54.png RESEARCH & PROSE - FEUDAL FEUDAL: ANIMAL-STYLE - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/f312703f-8443-42d8-a852-194afa429a05/Screenshot+2025-07-21+at+15.10.51.png RESEARCH & PROSE - FEUDAL FEUDAL: ANIMAL-STYLE Along with the 1% cap on the annual ‘value tax’ of the property, the initiative dictated that property taxes were to be assessed at their 1975 value. On top of that, annual increases were to be restricted by an inflation factor not to exceed 2% per year. "Prop. 13" also states that reassessment of the property tax can only be made when 1. The property ownership changes or 2. There is major construction done. Capturing the anti-tax zeitgeist of the mid-late 1970’s, which would ultimately help propel Ronald Regan to office in 1981, supporters of the initiative believed they were curtailing an unfair tax burden created by California’s surging population growth, severe nationwide inflation, and ever-increasing housing demand. With success toward these goals however came the unforeseen, and sometimes insidious, costs of Prop. 13. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753125968157-5EEM5DKIXHJAAGRV9S1L/Screenshot+2025-07-21+at+15.12.06.png RESEARCH & PROSE - FEUDAL FEUDAL: ANIMAL-STYLE https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753125969112-NASPXW8KJOMZI309CR1Z/Screenshot+2025-07-21+at+15.12.00.png RESEARCH & PROSE - FEUDAL FEUDAL: ANIMAL-STYLE https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753125982736-GZJUVLIH1C8X2JY1EUQ9/Screenshot+2025-07-21+at+15.12.12.png RESEARCH & PROSE - FEUDAL FEUDAL: ANIMAL-STYLE https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753125783424-NIRFMYQDX6UGP43HGG76/Screenshot+2025-07-21+at+15.11.29.png RESEARCH & PROSE - FEUDAL FEUDAL: ANIMAL-STYLE https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753125845877-VP4GNP35GEIRG3MIWKBL/Screenshot+2025-07-21+at+15.11.35.png RESEARCH & PROSE - FEUDAL FEUDAL: ANIMAL-STYLE https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753125800521-Y5WHN862Z3LFX22TWXIS/Screenshot+2025-07-21+at+15.11.42.png RESEARCH & PROSE - FEUDAL FEUDAL: ANIMAL-STYLE https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/eeee3af3-72b7-43d4-aea1-952e3e08a04b/Screenshot+2025-07-21+at+15.12.54.png RESEARCH & PROSE - FEUDAL FEUDAL: ANIMAL-STYLE - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753125446636-1PAKIURFFFLSCSILRMTP/Screenshot+2025-07-21+at+15.11.01.png RESEARCH & PROSE - FEUDAL FEUDAL: ANIMAL-STYLE https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753125450022-SG8Q10Z7TVDEVEHWTC2N/Screenshot+2025-07-21+at+15.11.15.png RESEARCH & PROSE - FEUDAL FEUDAL: ANIMAL-STYLE https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753126421090-ZTXO3BCRH2N0RYX2K1AH/Screenshot+2025-07-21+at+15.12.59.png RESEARCH & PROSE - FEUDAL FEUDAL: ANIMAL-STYLE https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753126428710-BO9JNWRHNVHZL4GMZAC2/Screenshot+2025-07-21+at+15.13.04.png RESEARCH & PROSE - FEUDAL FEUDAL: ANIMAL-STYLE https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753126453180-6AZWJ5VPDQ73OWHIRR9M/Screenshot+2025-07-21+at+15.13.09.png RESEARCH & PROSE - FEUDAL FEUDAL: ANIMAL-STYLE https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1f655b57-d38d-44b0-b178-271d4b04739e/Screenshot+2025-07-21+at+15.11.22.png RESEARCH & PROSE - FEUDAL FEUDAL: ANIMAL-STYLE Andrews further highlights how Prop. 13 incentivizes a bias toward high-income housing, hotels, and shopping malls, as opposed to low- income/affordable housing. The culprit of this bias? High impact fees and sales tax from malls and hotels generate the missing revenue deprived from local governments by Prop. 13. Andrews goes so far as to call the initiative ‘California-Style Apartheid,’ or institutionalized property segregation along economic lines. While the numbers Andrews provides reflect the reality in 1988, these disparities have only expanded with time. In 2015 alone, California local governments lost out on $12.5 billion because of Prop. 13. As of 2015, More than 40% of California property owners have an effective property tax rate of less than 0.5 %, half of the 1% cap outlined in the initiative. This effect is largest in affluent communities like Palo Alto and Los Altos where median home values top $2 million, and effective tax rates are often below 0.5%. As you go further inland however, lower-income communities like Beaumont and Arvin with home values often under $265,000 commonly post effective tax rates above 1.3%. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753126123096-HBKSVJ13EEZVG50ZQV1E/Screenshot+2025-07-21+at+15.12.24.png RESEARCH & PROSE - FEUDAL FEUDAL: ANIMAL-STYLE https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753126122733-YI4FPQPLJUPM2X0JHPZL/Screenshot+2025-07-21+at+15.12.18.png RESEARCH & PROSE - FEUDAL FEUDAL: ANIMAL-STYLE https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753126143168-WPZ2YD5KGIJ448UR3FHX/Screenshot+2025-07-21+at+15.12.29.png RESEARCH & PROSE - FEUDAL FEUDAL: ANIMAL-STYLE https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753126251122-LOCP2L48DWRJIQXGJL4N/Screenshot+2025-07-21+at+15.12.36.png RESEARCH & PROSE - FEUDAL FEUDAL: ANIMAL-STYLE https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753126255197-2SR1IO3V2NI3QWGTZOZ1/Screenshot+2025-07-21+at+15.12.43.png RESEARCH & PROSE - FEUDAL FEUDAL: ANIMAL-STYLE https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753126278902-54E3E560210OAMIEVE2Z/Screenshot+2025-07-21+at+15.12.48.png RESEARCH & PROSE - FEUDAL FEUDAL: ANIMAL-STYLE https://www.haydentornabene.com/research-prose/for-the-duration monthly 0.5 2025-12-27 https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127297978-TWJVXERSAKWBJHRUFI73/Screenshot+2025-07-21+at+15.36.29.png RESEARCH & PROSE - FOR THE DURATION - Fig. 2. San Francisco, California – April 7, 1942 While Japanese American troops were sent into action on far-flung fronts, citizens of Japanese ancestry were being evacuated from this neighborhood on Post Street. Evacuees will be housed in War Relocation Authority centers for the duration. No: [G2]A-69 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127411275-0IAVIPTS6FW9Q3G07DU9/Screenshot+2025-07-21+at+15.36.35.png RESEARCH & PROSE - FOR THE DURATION - Fig. 3. San Francisco, California – April 23, 1942 In response to the Army’s Exclusion Order No. 20, residents of Japanese ancestry appear at Civil Control Station at 2031 Bush Street, for registration. The evacuees will be housed in War Relocation Authority centers for the duration. No: [G2]A-514 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127418637-TPMPF0G4PQ7F4BVCAX2P/Screenshot+2025-07-21+at+15.36.39.png RESEARCH & PROSE - FOR THE DURATION - Fig. 4. Centerville, California – May 9, 1942 Members of farm family await evacuation bus. In March they came from Santa Barbara County to Alameda County, so that all members of the family could be evacuated together. Evacuees of Japanese ancestry will be housed in War Relocation Authority centers for the duration. No: [210-G2]C-226 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127425913-TAWAY7RSDNKXO8JVMMDV/Screenshot+2025-07-21+at+15.36.45.png RESEARCH & PROSE - FOR THE DURATION - Fig. 5. San Francisco, California – April 20, 1942 Waiting in line, 2031 Bush St., for voluntary inoculation against typhoid, preceding evacuation of residents of Japanese ancestry. Evacuees will be housed in War Relocation Authority centers for the duration. No: [G2]A-570 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127432915-JUKOG354CVGYUGMM98YV/Screenshot+2025-07-21+at+15.36.50.png RESEARCH & PROSE - FOR THE DURATION - Fig. 6. San Francisco, California – April 25, 1942 Residents of Japanese ancestry appear for registration prior to evacuation. Evacuees will be housed in War Relocation Authority centers for the duration. No: [G2]A-572 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127442351-GQJBUDNHNDQTZMP8RWXQ/Screenshot+2025-07-21+at+15.36.56.png RESEARCH & PROSE - FOR THE DURATION - Fig. 7. San Francisco (Bush Street), California – April 25, 1942 Families of two Shinto priests who were interred on December 8, 1941, immediately upon declaration of war. The mother at right has nine American-born children and has been in the United States ten years, and neither speak English. These evacuees and others will be leaving for the assembly center within a few days, and later transferred to WRA centers for the duration. No: [G2]A-510 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127454235-EJGCJ7RHGFLN375PO9DX/Screenshot+2025-07-21+at+15.37.01.png RESEARCH & PROSE - FOR THE DURATION - Fig. 8. San Francisco, California – April 13, 1942 Entrance to a restaurant vacated by a proprietor of Japanese descent prior to evacuation. Evacuees of Japanese ancestry will be housed in War Relocation Authority centers for the duration. No: [G2]A-42 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127459314-Z6CTJT74NZTHAXKAKGMC/Screenshot+2025-07-21+at+15.37.06.png RESEARCH & PROSE - FOR THE DURATION - Fig. 9. San Francisco, California – April, 1942 A home is sought for kittens as owners prepare to evacuate. Evacuees of Japanese ancestry will be housed in War Relocation Authority centers for the duration. No: [G2]A-580 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127465913-N9641Q447ZKKM1AWNX4J/Screenshot+2025-07-21+at+15.37.12.png RESEARCH & PROSE - FOR THE DURATION - Fig. 10. San Francisco, California (Post Street) – April 16, 1942 Everywhere in the Japanese quarter are evidence of the coming evacuation. This is a Laundry and Cleaning business which is just winding up its affairs prior to evacuation. No: [210-G2]C-517 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127479156-OLGULTPY8TFF8ZLBLX34/Screenshot+2025-07-21+at+15.37.18.png RESEARCH & PROSE - FOR THE DURATION - Fig. 11. Oakland, California – March 3, 1942 Following evacuation orders, this store, at 13th and Franklin Streets, was closed. The owner, a University of California graduate of Japanese descent, placed the “I AM AN AMERICAN” sign on the store front on December 8, the day after Pearl Harbor. Evacuees of Japanese ancestry will be housed in War Relocation Authority centers for the duration. No: 210-G-2A-35 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127484043-RB8TBBP2XM88Y425PYR5/Screenshot+2025-07-21+at+15.37.24.png RESEARCH & PROSE - FOR THE DURATION - Fig. 12. Hayward, California Baggage of evacuees of Japanese ancestry ready to be loaded on moving van. Evacuees will be housed in War Relocation Authority centers for the duration. No: [210-G-2]C-149 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127491146-49AAGK4SR9O0UWSU96UM/Screenshot+2025-07-21+at+15.37.29.png RESEARCH & PROSE - FOR THE DURATION - Fig. 13. San Francisco, California – April 7, 1942 The moving van backs up to the curb to load possessions of residents of Japanese ancestry who are being evacuated from this flat building on Post Street. Evacuees will be housed in War Relocation Authority centers for duration. No: [G2]A-70 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127506502-WSCH0RQAPSIK1O2U9U8I/Screenshot+2025-07-21+at+15.37.34.png RESEARCH & PROSE - FOR THE DURATION - Fig. 14. San Francisco, California – April 29, 1942 High school boys, on balcony of Japanese American Citizens League at 2031 Bush Street, look down the sidewalk where friends boarded evacuation buses Evacuees of Japanese ancestry will be housed in War Relocation Authority centers for the duration. No: [210-G2]C-115 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127518810-QFEWDSEMLKBJQQFF58FS/Screenshot+2025-07-21+at+15.37.40.png RESEARCH & PROSE - FOR THE DURATION - Fig. 15. San Francisco, California – May 9, 1942 This youngster is awaiting evacuation bus. Evacuees of Japanese ancestry will be housed in War Relocation Authority centers for the duration. No: [2]C-204 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127520116-H7DJ3Y1WSMUEKI3SNCKP/Screenshot+2025-07-21+at+15.37.47.png RESEARCH & PROSE - FOR THE DURATION - Fig. 16. San Francisco, California – April 25, 1942 Japanese family heads and persons living alone, form a line outside Civil Control station located in the Japanese American Citizens League Auditorium at 2031 Bush Street, to appear for “processing” in response to Civilian Exclusion Order No. 20. No: [G2]A-531 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127527249-CL7L7EM0BMVO8P6VHSFQ/Screenshot+2025-07-21+at+15.37.51.png RESEARCH & PROSE - FOR THE DURATION - Fig. 17. San Francisco, California (2020 Van Ness Ave.) – April 6, 1942 Young musician of Japanese ancestry plays his guitar at the WCCA station. He is a member of the first contingent of over 600 persons to be evacuated from San Francisco. No: [210-G2]C-430 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127536184-ZCSXEEAYRC7ZN5H7VYCI/Screenshot+2025-07-21+at+15.37.56.png RESEARCH & PROSE - FOR THE DURATION - Fig. 18. San Francisco, California – April 6, 1942 An early comer arrives with personal effects at 2020 Van Ness Avenue as part of the contingent of 664 residents of Japanese ancestry, first to be evacuated from San Francisco on April 6, 1942. Evacuees will be housed in War Relocation Authority centers for the duration. No: [210-G-2]C-430 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127547806-1S70XSL8DSMLR9D16T82/Screenshot+2025-07-21+at+15.38.02.png RESEARCH & PROSE - FOR THE DURATION - Fig. 19. Hayward, California – May 8, 1942 A young member of an evacuee family awaiting evacuation bus. Evacuees of Japanese ancestry will be housed in War Relocation Authority centers for the duration. No: [210-G-2]C-158 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127552832-L8I4AZFCSRPQCFMGVDPO/Screenshot+2025-07-21+at+15.38.08.png RESEARCH & PROSE - FOR THE DURATION - Fig. 20. Centerville, California – April 9, 1942 Stenographer for Japanese American Citizens League of Mt. Eden township. Helps the farmers of the vicinity to close out their affairs before evacuation. No: [G-2]A-524 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127571699-R82UCOHVAVTAI65AEWWV/Screenshot+2025-07-21+at+15.38.13.png RESEARCH & PROSE - FOR THE DURATION - Fig. 21. Hayward, California – May 8, 1942 A young member of an evacuee family awaiting evacuation bus. Evacuees of Japanese ancestry will be housed in War Relocation Authority centers for the duration. No: [210-G-2]C-159 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127571699-XEOMR50NG12OGR5550X0/Screenshot+2025-07-21+at+15.38.18.png RESEARCH & PROSE - FOR THE DURATION - Fig. 22. Centerville, California – May 9, 1942 This girl, who worked as a strawberry picker on an Alameda County farm, awaits evacuation bus. Evacuees of Japanese ancestry will be housed in War Relocation Authority centers for the duration. No: [210-G-2]C-222 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753128518288-SJDMMNLTMMU2SBAGJ9WB/Screenshot+2025-07-21+at+15.38.25.png RESEARCH & PROSE - FOR THE DURATION - Fig. 23. Oakland, California – May 6, 1942 Kimiko Kitagaki, young evacuee guarding the family baggage prior to departure by bus in one-half hour for Tanforan Assembly Center. Her father was, until evacuation, in the cleaning and dyeing business. No: [210-G-2]C-580 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127588201-2RQM7DQRC80JKXBDQVIF/Screenshot+2025-07-21+at+15.38.29.png RESEARCH & PROSE - FOR THE DURATION - Fig. 24. Sacramento, California – May 20, 1942 Harvey Akio Itano, 29, 1942 graduate of the University of California, who received his B.S. degree in Chemistry with the highest scholastic record of all candidates for degrees. He was chosen by the Faculty as University Medalist of 1942. He could not attend commencement exercises as evacuation of all residents of Japanese ancestry was ordered previously. No: [210-G-2]C-460 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127594908-LZB847BEGLCIJI92JEQZ/Screenshot+2025-07-21+at+15.38.34.png RESEARCH & PROSE - FOR THE DURATION - Fig. 25. San Francisco, California (2031 Bush St.) – April 25, 1942 Methodist Japanese minister who has come to the WCCA station with 17 male members of his congregation to make the request that these 17 families be permitted to travel on the bus to the assembly center together if possible. This request was granted. No: [210-G-2]C-355 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127602592-8KQC3BCBXOE0GOTWL05G/Screenshot+2025-07-21+at+15.38.39.png RESEARCH & PROSE - FOR THE DURATION - Fig. 26. Byron, California – May 2, 1942 These families of Japanese ancestry, evacuated from farms in Contra Costa County, board bus for assembly center at Turlock Fairgrounds, 65 miles away. Evacuees will be transported later from assembly points to War Relocation Authority centers where they will spend the duration. No: C-107 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127609781-O35WEECEDWO824B6AFRV/Screenshot+2025-07-21+at+15.38.43.png RESEARCH & PROSE - FOR THE DURATION - Fig. 27. Byron, California – May 2, 1942 This family of Japanese ancestry, evacuated from farm in Contra Costa County, boards bus for assembly center at Turlock Fairgrounds, 65 miles away. Evacuees will be transported later from assembly points to War Relocation Authority centers where they will spend the duration. No: [210-G-2]C-105 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127618510-LRI7I96327DWH4CADGBQ/Screenshot+2025-07-21+at+15.38.48.png RESEARCH & PROSE - FOR THE DURATION - Fig. 28. San Francisco, California (2031 Bush Street) – April 29, 1942 The bus is being loaded to take a group of 321 persons from the Japanese quarter on this date to Tanforan Assembly Center. The youth on the left is Mr. Hi Korematsu, a graduate of the College of Agriculture, Cornell University. He is a leader in formulating plans for the establishment of a large-scale cooperative enterprise for evacuated person of Japanese ancestry. No: [210-G-2]C-415 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127624750-2MUBRWA9QIGYZ2XTWVCX/Screenshot+2025-07-21+at+15.38.52.png RESEARCH & PROSE - FOR THE DURATION - Fig. 29. San Francisco, California – April 29, 1942 A young evacuee looks out the window of bus before it stars for Tanforan Assembly Center. Evacuees will be transferred later from assembly centers to War Relocation Authority centers where they will spend the duration. No: [210-G-2]C-177 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127631147-RW68P8BHRTSPOJPLBR5P/Screenshot+2025-07-21+at+15.38.56.png RESEARCH & PROSE - FOR THE DURATION - Fig. 30. Heyward, California – May 8, 1942 Members of the Mochida family awaiting evacuation bus. Identification tags are used to aid in keeping the family unit intact during all phases of evacuation. Mochida operated a nursery and five greenhouses on a two-acre site in Eden Township. He raised snapdragons and sweetpeas. Evacuees of Japanese ancestry will be housed in War Relocation Authority centers for the duration. No: [210-G-2]C-153 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127636786-T3XJGNW4LLLG79KQ9NEW/Screenshot+2025-07-21+at+15.39.00.png RESEARCH & PROSE - FOR THE DURATION - Fig. 31. Heyward, California – May 8, 1942 Two children of the Mochida family who, with their parents, are awaiting evacuation bus. The youngster on the right holds a sandwich given her by one of a group of women who were present from a local church. The family unit is kept intact during evacuation and at War Relocation Authority centers where evacuees of Japanese ancestry will be housed for the duration. No: [210-G-2]C-154 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127643341-M1HD8EYCBQ0KDAK72L7F/Screenshot+2025-07-21+at+15.39.05.png RESEARCH & PROSE - FOR THE DURATION - Fig. 32. San Francisco, California – April 20, 1942 As a safeguard for health, evacuees of Japanese descent were inoculated as they registered for evacuation at 2031 Bush Street. Nurses and doctors, also of Japanese ancestry, administered inoculations. Children were given special attention. Evacuees were later transferred to War Relocation Authority centers for the duration. No: [G-2]A-504 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127698059-CXGRFU6ZXXYSO4586LZG/Screenshot+2025-07-21+at+15.39.10.png RESEARCH & PROSE - FOR THE DURATION - Fig. 33. Oakland, California (1117 Oak Street) – May 6, 1942 Residents of Japanese ancestry waiting for evacuation buses which will take them to the Tanforan Assembly Center under Civilian Exclusion Order No. 28. No: [210-G-2]C-374 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1753127705617-N52T2WVDWHC477LAIVOD/Screenshot+2025-07-21+at+15.39.14.png RESEARCH & PROSE - FOR THE DURATION - Fig. 34. Byron, California – May 2, 1942 As families of Japanese ancestry evacuated from farms in Contra Costa County, they gathered at Wartime Civil Control Administration station and awaited buses for assembly center at Turlock Fairgrounds, 65 miles away. Evacuees will be transferred later from assembly centers to War Relocation Authority centers where they will spend the duration. Boy in background is a spectator. No: [G-2]C-100 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/fe66b26b-3e6e-42aa-80d4-cf66dda75941/Screenshot+2025-07-21+at+15.36.16.png RESEARCH & PROSE - FOR THE DURATION A soldier and his mother in a strawberry field. This soldier, age 23, volunteered July 10, 1941 [5 months before Pearl Harbor], and is stationed at Camp Leonard Wood, Missouri. He was furloughed to help his mother and family prepare for their evacuation. He is the youngest of six children, two of them volunteers in the U.S. Army. The mother, age 52, came from Japan 37 years ago. Her husband died 21 years ago, leaving her to raise six children. She worked in a strawberry basket factory until last year when her children leased three acres of strawberries, “so she wouldn’t have to work for somebody else.” The family is Buddhist. This is her youngest son. Her second son is in the army stationed at Ft. Bliss. 453 families are to be evacuated from this area. No: [G2]A-585 – Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/8feae953-3259-4922-a02b-f33f26c9ac71/Screenshot+2025-07-21+at+15.38.25.png RESEARCH & PROSE - FOR THE DURATION Images By Dorothea Lange https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/d0ea1e7a-337d-4eca-a5be-25d3d56b733b/Screenshot+2025-07-21+at+15.36.23.png RESEARCH & PROSE - FOR THE DURATION “She would never intrude her camera upon anyone’s privacy… If nothing was said but she felt unwelcome, she would fool around with her equipment or just go sit down in a corner and let them look her over. She was aware that some people withdrew because they felt she did not belong with them. Tactfully then she would speak to them about who she was and what her family was like, where she came from, what she represented, so that she told them much about herself, and truthfully. Then if she asked questions, it was a fair exchange.” - Milton Meltzer Dorothea Lange: A Photographer’s Life, p. 97 https://www.haydentornabene.com/research-prose/europa monthly 0.5 2025-12-27 https://www.haydentornabene.com/research-prose/semiotics monthly 0.5 2025-12-27 https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/0e0933dd-a37b-4f79-8f7f-de7a7985e98e/Screenshot+2025-07-23+at+13.43.16.png RESEARCH & PROSE - THE SEMIOTICS OF PHOTOJOURNALISM - Le Regard Oblique Doisneau, 1949 This collection of images, taken by Doisneau in 1949, was a continuation of his popular “photo-novels,” a series of images describing day-to-day life of a group of individuals. Many of these novelettes were published in leading magazines such as LIFE and the French publication Point de vue. Doisneau’s associate and antique vendor friend, Robert Miguel, purchased a racy Wagner painting of a nude woman, which he placed in his street window. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/2721dfaa-7a82-4791-9a22-ef662177521b/Screenshot+2025-07-23+at+13.43.34.png RESEARCH & PROSE - THE SEMIOTICS OF PHOTOJOURNALISM - L’Amour Sous L’occupation Doisenau, 1940-1944 During the Nazi occupation of France from 1940 to 1944, Doisneau captured a striking series of images depicting the life of the French in the newly formed State of France, no longer the Republic of France. The image entitled, L’Amour sous l’occupation, or, “Love during the occupation,” depicts a young couple sitting against the backdrop of both the Tuilerie Garden in Paris and barbed wire (Hamilton). It can be concluded that the image itself is iconic in nature, yet it remains composed of a number of varying indexical signs. The first clear Indexical sign is that of the couple embracing. While this index conveys a truth that can vary slightly from individual to individual, it revolves around notions of commitment, love and connection. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/56be3683-728b-4ff3-a113-471d6d209f6b/Screenshot+2025-07-23+at+13.42.47.png RESEARCH & PROSE - THE SEMIOTICS OF PHOTOJOURNALISM - Le Baiser De L’Hotel De Ville Doisneau, 1950 Le Baiser de l’Hotel de Ville serves as Doisneau’s cornerstone of humanistic photography. Following the war, many photographers, European and American, began to stray away from the techniques used in the 30’s. These techniques utilized an “overt formalism and composition” (Hamilton, 138), such as a skewed horizontal, which served to convey a sense of motion in order to elicit feelings of presence with the subject in the audience. In his time, Doisneau never would have been considered a photojournalist, as the term and idea did not exist. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/81a58708-e507-41b3-a1eb-9a9de57e83cf/Screenshot+2025-07-23+at+13.42.18.png RESEARCH & PROSE - THE SEMIOTICS OF PHOTOJOURNALISM - La Violin d’Ingres Man Ray, 1924 Deception in photography typically stems from any attempt to alter an image, and in the digital age, misleading images have become commonplace in the world of politics, law, history and science. Prior to the digital age during Doisneau’s time, double exposure (the repeated exposure of photo paper under the influence of multiple negatives to create a new sign or value), solarization, and other darkroom retouching methods served as the basis of photographic “deception”. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/47343a7b-3aca-4b23-91c9-d46d39919cb1/Screenshot+2025-07-23+at+13.42.57.png RESEARCH & PROSE - THE SEMIOTICS OF PHOTOJOURNALISM The following image is of the same photograph on the previous page, but with Costa’s denotative or “content” plane filled in with white squares. The denotative plane of this image occupies 45.6% of the total image, while 54.4% of the image exists in the connotative plane, or the area of free creativity. Without the denotative plane, it is impossible to determine what this image depicts, its purpose, or to achieve any kind of visual coherence. However, once the white squares are removed, it is clear the image depicts a couple kissing amidst a busy Paris street. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/66b0d45c-5d2b-4741-b671-54192a85dd29/Screenshot+2025-07-23+at+13.43.25.png RESEARCH & PROSE - THE SEMIOTICS OF PHOTOJOURNALISM - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1945b5eb-0d6b-4599-97b7-4d15b29997aa/Screenshot+2025-07-23+at+13.52.08.png RESEARCH & PROSE - THE SEMIOTICS OF PHOTOJOURNALISM In semiotics, there exists an important difference between denotative and connotative language, which ultimately influences the sign; this difference in photography provides the potential for the medium to convey a sense of language (Port). 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https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/3d2d4fc4-1848-4052-bac5-328641f62d3d/EDSC_2023.jpg URBAN LANDSCAPES ULAANBAATAR, MONGOLIA. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/94a3791a-80fd-4cbf-891a-7f12fcd7510e/EDSC_2131.jpg URBAN LANDSCAPES ULAANBAATAR, MONGOLIA. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/67fcfeca-c3af-4ad2-ad96-48aba4e51e26/EDSC_2179.jpg URBAN LANDSCAPES ULAANBAATAR, MONGOLIA. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/54469a6f-eb60-4389-9c43-f63eaa5f38d4/EDSC_3898.jpg URBAN LANDSCAPES MARSEILLE, FRANCE. 2014. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/91e91437-29cb-4cf7-9ae7-bba4e650519a/EDSC_7180.jpg URBAN LANDSCAPES DUBROVNIK, CROATIA. 2016. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/963432f7-daae-4603-a134-f2be6b1f8263/EDSC_7400.jpg URBAN LANDSCAPES DUBROVNIK, CROATIA. 2016. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/ef6731eb-05f7-4671-92c2-bee8b022dcab/EDSC_7415.jpg URBAN LANDSCAPES DUBROVNIK, CROATIA. 2016. https://www.haydentornabene.com/bwportraiture daily 0.75 2025-08-16 https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/f241f949-fd89-409c-93c5-d6cfb21accb1/EDSC_3582.jpg B&W PORTRAITURE ARLES, FRANCE. USA. 2014. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/44c9558b-1e2d-4f3b-ad3f-22801f761666/EDSC_3806.jpg B&W PORTRAITURE MARSEILLE, FRANCE. 2014. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/df8c3566-ed63-48f8-892c-e85ed7c4e96f/EDSC_3715.jpg B&W PORTRAITURE MARSEILLE, FRANCE. 2014. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/e3c166a7-d14f-4e03-abc0-0c155ec29953/EDSC_7017.jpg B&W PORTRAITURE PARIS, FRANCE. 2016. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/598c89de-fba3-427c-8ff9-039e9c761e1a/EDSC_3825.jpg B&W PORTRAITURE MARSEILLE, FRANCE. 2014. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/cdf4e7b1-42c5-4205-9089-5e24b9097e04/EDSC_0512.jpg B&W PORTRAITURE DENVER, USA. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/c6479706-bfad-4e9d-a84e-230a9f2b51e6/EDSC_7004.jpg B&W PORTRAITURE PARIS, FRANCE. 2016. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1cbcccd9-b40b-47c0-9a75-24c350893734/EDSC_2115.jpg B&W PORTRAITURE ULAANBAATAR, MONGOLIA. 2017 https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/70fadf30-c691-47a4-ae96-c12b92f0da6b/EDSC_8960.jpg B&W PORTRAITURE TEL AVIV, ISRAEL. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/bad9c9f3-85aa-402c-bf5e-9235cdf3fb3b/EDSC_4505.jpg B&W PORTRAITURE PARIS, FRANCE. 2014. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/7e82e8a7-1424-478a-a6cc-d8b08e630d7b/EDSC_7263.jpg B&W PORTRAITURE DUBROVNIK, CROATIA. 2016. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1398da3a-4a51-4d73-a6ed-c31a42107e9a/EDSC_3997.jpg B&W PORTRAITURE PRAGUE, CZECHIA. 2014. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/583e94ba-0fd9-4b11-9255-0c319a404cc6/EDSC_9842.jpg B&W PORTRAITURE JERUSALEM, ISRAEL. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/6c50d3a8-3c62-43bd-9f80-b5bd0e57772d/EDSC_9402.jpg B&W PORTRAITURE JERUSALEM, ISRAEL. 2017. https://www.haydentornabene.com/portraiture daily 0.75 2025-08-16 https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/784fe3a8-9735-4e0a-8f00-1cc73af30516/EDSC_0095.jpg PORTRAITURE DENVER, USA. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/b42268cf-3df2-4188-9eec-28d4c9173e09/EDSC_0104.jpg PORTRAITURE OLLANTAYTAMBO, PERU. 2010. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/eaedef9c-e65b-43c0-b934-3af04f155932/EDSC_0200.jpg PORTRAITURE PUNO, PERU. 2010. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/8be0e884-ad2d-4e11-8550-2a99c601b834/EDSC_0325.jpg PORTRAITURE MANHATTAN, USA. 2010. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/d09a49ac-3bfe-4a63-9015-203e0cbe5e2a/EDSC_1065.jpg PORTRAITURE DENVER, USA. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/b40912d1-9524-406e-80ad-87c1f90d24f5/EDSC_1918.jpg PORTRAITURE ULAANBAATAR, MONGOLIA. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/66d92d4a-1e21-407e-9ca3-c4bff7c0ac27/EDSC_9865.jpg PORTRAITURE JERUSALEM, ISRAEL. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/78eff2ee-a939-4e84-9cf6-b7b3880fb356/EDSC_2100.jpg PORTRAITURE ULAANBAATAR, MONGOLIA. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/5c3c8075-040f-46ab-b4c5-d2d333e78a0a/EDSC_3290.jpg PORTRAITURE DENVER, USA. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/e5053297-27e6-4309-b84f-bfe892ac5011/EDSC_8823.jpg PORTRAITURE ZEFAT, ISRAEL. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/10dd23b4-c392-479c-80b4-c739ee95dfdc/EDSC_9302.jpg PORTRAITURE JERUSALEM, ISRAEL. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/30fb8aaa-5c3e-4de9-80d5-cc7c2c9ffd34/EDSC_9313.jpg PORTRAITURE JERUSALEM, ISRAEL. 2017. https://www.haydentornabene.com/rural-landscapes daily 0.75 2025-08-16 https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/38b534cb-6c24-4954-ac28-0d704fd2f3c2/DSC_9595.jpg RURAL LANDSCAPES DEAD SEA. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/ec07e14e-552f-4fa1-a2e0-fb73b053883d/EDSC_0151.jpg RURAL LANDSCAPES URUBAMBA, PERU. 2010. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/41991479-257c-42b0-9c81-bbdba806d85e/EDSC_0278.jpg RURAL LANDSCAPES TITICACA, PERU. 2010. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/68ba90dc-ec88-4dc8-9bb9-f0edc36f4134/EDSC_0517.jpg RURAL LANDSCAPES https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/9d8c22ef-c970-49d4-a5ee-5d05cf1b0afc/EDSC_1683.jpg RURAL LANDSCAPES NAPA, USA. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/61838de0-84c0-48cd-9369-c31af18599c5/EDSC_3087.jpg RURAL LANDSCAPES ÉTEL, FRANCE. 2014. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/2030eb03-be13-45af-ade1-5140bf52ff4d/EDSC_3418.jpg RURAL LANDSCAPES BELLE ILE, FRANCE. 2014. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/4d06c4da-e48b-4000-87d2-407dcb67e539/EDSC_7452.jpg RURAL LANDSCAPES CASTLE ROCK, USA. 2016. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/fa92fa08-4fd7-4412-b1fd-6add77092e5d/EDSC_7840.jpg RURAL LANDSCAPES BASALT, USA. 2016. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/aabf491e-301e-4e71-943c-c583ca330c9b/EDSC_8038.jpg RURAL LANDSCAPES WHITE RIVER NATIONAL FOREST, USA. 2016. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/f2912003-5c47-4572-99f6-b16a6cfa184e/EDSC_8211.jpg RURAL LANDSCAPES WHITE RIVER NATIONAL FOREST, USA. 2016. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/6e79cbfb-0d75-4daf-85b8-cb58e664161c/EDSC_8249.jpg RURAL LANDSCAPES WHITE RIVER NATIONAL FOREST, USA. 2016. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/06e76fcf-80e1-48f3-a673-677f710e6f5c/EDSC_9629.jpg RURAL LANDSCAPES DEAD SEA. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/fd7e3cc0-2411-4cc0-b065-8363330be6f3/EPXL_20211119.jpg RURAL LANDSCAPES VANCOUVER ISLAND, CANADA. 2022. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/9e990abc-4034-4b1e-ba1b-816e3664339b/EDSC_9717.jpg RURAL LANDSCAPES DEAD SEA. 2017. https://www.haydentornabene.com/bwurban-landscapes daily 0.75 2025-08-16 https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/03e8bb89-8312-425a-b3c0-bb237cbefc07/EDSC_6945.jpg B&W URBAN LANDSCAPES PARIS, FRANCE. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1d0d3a67-e86d-4993-af8c-b83b89a5466f/EDSC_3863.jpg B&W URBAN LANDSCAPES MARSEILLE, FRANCE. 2014. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/af98c418-c468-4656-b9ef-c586885245ca/EDSC_3874.jpg B&W URBAN LANDSCAPES MARSEILLE, FRANCE. 2014. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/ed0be34b-fa09-4bbe-b359-40828c54ad8e/EDSC_3925.jpg B&W URBAN LANDSCAPES MARSEILLE, FRANCE. 2014. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/2472dda5-72b2-44c8-a614-e7e31ae367a2/EDSC_8401.jpg B&W URBAN LANDSCAPES SAN FRANCISCO, USA. 2018. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1e0118d3-1944-47e9-b0ee-a56c566ea360/EDSC_4053.jpg B&W URBAN LANDSCAPES PRAGUE, CZECHIA. 2014. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/abce5547-506a-4318-a2c4-5a1321ae3b31/EDSC_4475.jpg B&W URBAN LANDSCAPES PARIS, FRANCE. 2014. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/64cfce93-54af-4e44-8123-e105203e47b2/EDSC_0116.jpg B&W URBAN LANDSCAPES DENVER, USA. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/ba5928ea-17c1-4782-a522-922498e29ac5/EDSC_7580.jpg B&W URBAN LANDSCAPES DENVER, USA. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/516f999a-b679-4d73-8170-c09c882475d6/EDSC_3983.jpg B&W URBAN LANDSCAPES PRAGUE, CZECHIA. 2014. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/54595d77-a64e-4087-ad24-b85e01572cf9/EDSC_9278.jpg B&W URBAN LANDSCAPES JERUSLAEM, ISRAEL. 2017. https://www.haydentornabene.com/ephemera daily 0.75 2025-08-16 https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/99becc5f-a4e0-4d76-b0e0-579cc8a457e1/EDSC_4468.jpg EPHEMERA https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/4a102772-6eb0-46d7-a121-ba599e65aa99/EDSC_4459.jpg EPHEMERA https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/5b602708-18ae-407a-999d-ece86a36a198/EDSC_4462.jpg EPHEMERA https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/f47ad6d1-327d-480b-a8b2-c57db47977fa/EDSC_6620.jpg EPHEMERA https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/0d3baa33-12f2-40f0-9978-a45c000abfaa/EDSC_6621.jpg EPHEMERA https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/f253ed85-96d9-4d33-87a9-dca5142827c8/EDSC_6623.jpg EPHEMERA https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/2f7eb05e-dfb0-4fed-a7a7-ffca8a294b2b/EDSC_0537.jpg EPHEMERA DENVER, USA. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/1acacb9a-5cd6-49a8-af50-2dbe7b748860/EDSC_2155.jpg EPHEMERA ULAANBAATAR, MONGOLIA. 2017. https://images.squarespace-cdn.com/content/v1/6876c87b0f05552174d8c76d/7629edea-5b8b-413f-b4c5-67cfa6ebc5e7/EDSC_0573.jpg EPHEMERA DENVER, USA. 2017. 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